Edward Clydesdale Thomson Bio
River's crib for love Bewaerschole, Burgh Haamstede, The Netherlands 2025
rivier, boot, stad Dordrecht’s Museum, Dordrecht, The Netherlands 2023
Grazer Kunstverein is moving Grazer Kunstverein, Graz, Austria 2022
bound to the miraculous online 2022
CALM BEFORE THE STORM Radius, Delft, The Netherlands 2022
spellbound CBK Zeeland, Middelburg, The Netherlands 2022
Where Shall We Plant the Placenta? A Tail of a Tub, Rotterdam, The Netherlands 2022
Microplastics Rain Down from the Sky Division of Labour, Art Rotterdam, The Netherlands 2020
landfall O&O funding, CBK, Rotterdam 2019
Buffer zones Paradise Works, Manchester, UK 2019
wild care tame neglect - exhibition Frankendael Foundation, Amsterdam, The Netherlands 2018
Tuin van Toorop Jan Tooropstraat, Amsterdam 2018
An exhibition of posters Witte de With, Rotterdam, The Netherlands 2018
how to kill a tree Frankendael Foundation, Amsterdam 2018
below the soil, between the branches, above the clouds Into Nature, biennial, Drenthe 2018
wilder beings command Irish Museum of Modern Art, Dublin, Ireland 2017
the necessity of art Grazer Kunstverein, Graz, Austria 2017
poster club Het Wilde Weten, Rotterdam, The Netherlands 2017
noon Irish Museum of Modern Art, Dublin, Ireland 2017
wild care tame neglect Frankendael Foundation, Amsterdam, The Netherlands 2016
The Society Machine Malmo Konstmuseum, Malmo 2016
Static Gravity Het Wilde Weten, Rotterdam 2016
Crossing Borders Expanding Frontiers ramfoundation, Rotterdam, The Netherlands 2016
Nothin Shakin but the Leaves on the Trees Marabouparken konsthall, Sunsbyberg, Sweden 2015
Crooked Rain, Crooked Rain CCA Derry~Londonderry, Lismore Castle Arts St Carthage Hall 2015
As the lake said to the boat Kunsthuis SYB, Beetsterzwaag, The Netherlands 2015
The Non Urban Garden: tuinen van de 21e eeuw Afdh & Kunstvereniging Diepenheim 2014
iaspis Open House, spring 2014 iaspis, Stockholm 2014
Belief and Productivity O&O funding, CBK, Rotterdam 2014
02
source image
03
source image
04
source image
05
source image
06
source image
07
source image
08
source image
09
source image
10
source image
11
source image
12
source image
14
source image
15
source image
16
source image
17
source image
18
source image
19
source image
20
source image
21
source image
22
source image
23
source image
24
source image
25
source image
26
source image
27
source image
28
source image
29
source image
30
source image
31
source image
32
source image
33
source image
34
source image
35
source image
36
source image
37
source image
38
source image
39
source image
40
source image
41
source image
42
source image
43
source image
44
source image
45
source image
46
source image
47
source image
48
source image
49
source image
50
source image
51
source image
52
source image
53
source image
54
source image
55
source image
56
source image
57
source image
58
source image
59
source image
60
source image
61
source image
62
source image
63
source image
64
source image
65
source image
66
source image
67
source image
68
source image
69
source image
70
source image
71
source image
72
source image
73
source image
74
source image
75
source image
76
source image
77
source image
78
source image
79
source image
80
source image
81
source image
82
source image
83
source image
84
source image
85
source image
86
source image
87
source image
88
source image
89
source image
90
source image
91
source image
92
source image
93
source image
94
source image
95
source image
96
source image
97
source image
98
sourse image
99
source image
100
source image
101
source image
102
source image
103
source image
104
source image
105
source image
106
source image
107
source image
108
source image
109
source image
110
source image
111
source image
112
source image
113
source image
114
source image
115
source image
116
source image
117
source image
118
source image
119
source image
120
source image
121
source image
122
source image
123
source image
124
source image
125
source image
126
source image
127
128
129
130
131
132
133
134
135
136
137
138
139
140

Belief and Productivity: A Play in the Forest
“Since trees grow with year rings we can date events that took place 500 years ago or 800 years ago. If we find a tree with a Sámi bark peeling we know that at this place, not generally or somewhere in the forest, at this place one person took inner bark from one tree in 1663. And we not only know that but we know how much because the culturally modified tree is a negative of an action, we know how much they took out of the tree and we can calculate their impact on the forest. […] So that is a very important thing; that we really can be very precise otherwise we might read in a book that Sami’s ate inner bark of pine, but how much, and when, was it common, we have no idea it’s just a note in a text and the Sami’s didn’t have any written language until very recently.”
From October 2013 until March 2014 I was on residency at iaspis Stockholm, granted through the Mondriaan Fonds. Over the course of this residency I encountered many people who work in connection with the Swedish forests. The more I learnt about the history of forest use in Sweden the more I realized this history was deeply intertwined with the very systems of belief that formed a sense of moral responsibility.
If its possible to read the past through the negative of an action, an interesting way of reading history is implied. A history not about generalizing narratives but about specific actions at specific places, by specific people. These bark inscriptions continue to live with the tree and influence its growth. The line continuing to function long after it’s original purpose was fulfilled. Interpreting land and landscape, through inscriptions that continuously act upon it, implies moving away from a historiographical understanding of place, towards history as a material presence.
According to many people I talked to in Sweden the forest ‘has an almost religious position in peoples lives, if you want to be alone with something larger than yourself and the world around you, you go to the forest’. Equally as a forest owner one might experience a sense of ‘moral obligation to keep your forest at maximum productivity’. The way in which a forest symbolizes much more than the sum of the animals and plants that live in it speaks of an anthropomorphic projection of human values onto land that, in many ways, defines how we see the world around us. The narrative of forestry use in Sweden can be read in spiritual, economic and moral terms that define the complex politics of our relation to land use. Notions of identity and the modernistic ideals of productivity produce a responsibility for ‘nature’ that pairs morality and capitalist ideals.
Value systems themselves are inscribed in the landscape and to understand these systems it’s interesting to look at these bark peelings because they are at a scale easily grasped. From bark peeling, to the plough, the clear-cut forest and the drained polder; inscriptions continue to produce the values system they are a product of.

This project is supported by the O&O funding from the CBK Rotterdam

The Distracted Gardener & The Plumbing Subverter Yeo Workshop, Singapore 2013
Lost & Found at the Flügelbus Lost & Found, Amsterdam 2013
Late Nights & Early Mornings Kunstraum, London 2013
here is always somewhere else Forum Triangulare, Oud-Rekem, Belgium 2013
Abilities Jeanine Hofland Contemporary Art, Amsterdam 2013
25 Years Rotterdam City Collection Museum Boijmans van Beuningen, Rotterdam 2013
We are rolling galerie-j, Geneva 2012
There was a Country where They were all Thieves Jeanine Hofland Contemporary Art, Amsterdam 2012
Secret Gardens TENT, Rotterda, 2012
Rijksakademie Open 2012 Rijksakademie van beeldende kunsten, Amsterdamm 2012
causa finalis Galerie Fons Welters, Amsterdam 2012
As if an entrance is over there- Lecturis, Eindhoven 2012
The research and destroy department of the Black Mountain College W139, Amsterdam 2012
Rijksakademie Open 2011 Rijksakademie van beeldende kunsten, Amsterdam 2011
Prix de Rome 2011 Smart project space, Amsterdam 2011
FlowerCASTLE Kasteel Keukenhof Art Foundation, Lisse 2011
a green thought, in a green shade Art Amsterdam MK Gallery 2011
New Graffiti, Old Revolutions MK gallery, Rotterdam 2010
Done to a dead end & the dead or alive sale SD&G, Rotterdam 2010
Borderline Picturesque & the Recounting Prospect Tromsø Kunstforening, Tromsø, Norway 2010
A group show Croxhapox, Ghent 2010
Residency at Het Wilde Weten, Rotterdam WDW 653, Rotterdam 2009
Open Office for Words ADA, Rotterdam 2009
Impromptu Affairs DEK 22, Rotterdam 2009
Imaginary Cinema - Discussion WDW 653, Rotterdam 2009
Edward Clydesdale Thomson SECONDroom, Brussels 2009
A Leopard, Some Monkeys, Numerous Butterflies, Dozens of Peacocks and a Sublime Vista 4th Issue NOWISWERE, Contemporary Art Magazine, London 2009
Small Talk with the Janitor Piet Zwart Institute, Rotterdam 2008
Selbstzweck Private Collection 2008
Residency at Kysten Tromsø Kysten Tromsø 2008
My Travels with Barry, MA Graduation Show Tent, Rotterdamt 2008
Just what is it that makes that thing so different, so appealing? Expodium, Utrecht 2008
This is how it must feel to be there Pakhuismeesteren, Rotterdam 2007
Observing Construction NEST, Netherlands Architectuurinstituut (NAi) Rotterdam 2007