Edward Clydesdale Thomson is plotting out a garden for the Grazer Kunstverein – it will become a real, living environment that will gradually grow, flourish and decay throughout the coming years. The first iteration of this long-term project is presented for the Summer Season of 2017. Tools and ropes, fans and hoses lay the groundwork in a sculptural garden planted around the concrete galleries. This installation combines sculptural works in which abstracted tools bridge a transition between house and garden, from the realm of the domestic and personal, to the symbolic and collective. With this he investigates the notion of landscaping as an activity that has resonance with art making in being able to sculpt and delimit a space of both production, experience and care.
For Ernst Fischer mankind’s conscious control over nature was one of the most important, magical and distinguishing features of the human condition. Responding to this sentiment, the artist complicates and questions our desire to influence the natural world by intensively reflecting on our role as artists within it.
This installation combines works including The Distracted Gardener & The Plumbing Subverter (2013) and Inflatable Paradise (2016) and In a green shade (butterfly house) (2011), where Edward Clydesdale Thomsons’ abstracted tools bridge a transition between house and garden, from the realm of the domestic and personal, to the symbolic and collective. With this he investigates the notion of landscaping as an activity that has resonance with art making in being able to sculpt and delimit a space of both production, experience and care.
This project is supported by mondriaan fonds